Ryan Gilbey

He is a transfixing screen presence – but he lives for the raw thrill of the stage. As he takes over the Venice theatre biennale, the star lets us know what to expect: cut-up plays and a Pinocchio unlike any other

Sitting in his house in Rome, an overstuffed bookcase and a distressed wooden door behind him, Willem Dafoe scrunches his hair as though kneading the thoughts in his head. The 69-year-old, Wisconsin-born actor could pass today for any genial, bristle-moustached handyman in checked shirt and horn-rimmed specs. (Perhaps he even built the bookcase and distressed the door himself.) But it’s that hand that is the giveaway: it keeps scrunching as he talks until the hair is standing in jagged forks. As a visualisation of what is happening in his brain, it is second to none.

The Canadian director set out to make a 90-minute snapshot of the trans experience before it ballooned in length and scope. Nevertheless, the film’s writer, director and star is confident of reaching the mainstream

When Louise Weard began shooting her debut film in 2023, she envisaged it as a snappy, 90-minute portrait of a group of queer and transgender friends in Vancouver. Now, Castration Movie, a crowdfunded camcorder epic made for less than C$60,000 (£33,000), runs four-and-a-half hours. And that’s just part one. When the entire magnum opus is finished later this year, Weard estimates it will clock in at more than 12 hours. Take that, Béla Tarr. Watch your back, Rivette.